giovedì 8 marzo 2012


The vacant footprints of Guggenheim's spirals play host to the  ecstatic decadence of the hyper real hangings, in supreme blasts of visual commodities.

Cellular crowding and collateral damage replace pollution in the eyes of the digital beholder, creating an endless flow of sterile wombs for assisted terminations.

Cattelan's bodies and objects sharpen senses and develop mutant replicas of ideals and morals, recalling life and death from human perception to propel them into hidden ontologies.. the fluorescent absence of revelations shaking up in infra-red  violence.

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